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A Feel for Fashion: Harry Nuriev

Interviews

A cursory survey of Harry Nuriev’s work confirms that he is constantly thinking outside the box. Whether a living room sectional upholstered entirely in denim, his home comforter of meticulously arranged boxer briefs, or an indoor gazebo covered in historical textiles for the Mobilier National, every creation reflects a mindset motivated by reimagining and recontextualising existing things. Based between New York and Paris, the founder and creative director of Crosby Studios is widely praised for an ever-shifting aesthetic that feels at once irreverent and substantive – always returning to the materiality of spaces and objects. This is why the artist, architect and furniture designer increasingly crosses over into collaborations with fashion brands – Balenciaga, Dover Street Market, Valentino to name a few. In 2023, Rizzoli published his first monograph, “How to Land in the Metaverse.”

What excites you in fashion right now?


The people who work behind brands. They are passionate and curious.
 


What is one reason to be optimistic about the state of fashion going forward?


The transformation of the approach to fashion retail. 
 


In what ways do you think AI might benefit fashion?


It really depends on whose hands it’s in. 
 


Who or what will drive the greatest change in fashion this year?


I dream of an app where you can subscribe and land on any clothes or accessories you want and easily return them back after one use. That could be the change. 
 


Can you suggest a fashion mantra for ’24?


Less is back.