How does your work in editorial and design shape your instincts, your eye?
My work as an editor is fed by what I experience, what I see, and how I interpret and report that information; whereas as a fashion designer, I am really honed in on the creative process and innovation through what I physically create. They both inform each other.
What excites you in fashion right now?
Integrity and honesty.
What is one reason to be optimistic about the state of fashion going forward?
I am always in awe of young independents. It is a difficult moment for emerging designers and creatives, but I think when you have to really figure it out within your available resources, the results are more inspiring.
What would you like or hope to see more of from brands or the industry more generally?
More attention, organisation and funding for creatives from disadvantaged backgrounds.
In what ways do you think AI might benefit fashion?
I really can’t think of any advantages at this moment…
Who or what will drive the greatest change in fashion this year?
The badasses who have the financial capabilities to look down and reach out their hands to pull up those who have the talent; but scarce resources would really help.
I am more counting on those who are not in the system but have a dream and are focused on change.
What impact might you hope to have on fashion this year?
I hope that I can use my lived experience as a black designer working in this space for over 25 years, in order to mentor, educate, and help others to see a positive reflection of themselves within the spaces they want to occupy.
Can you suggest a fashion mantra for ’24?
Mmmmm I’m going to say WAKE UP FOR FREEDOM! James Baldwin once said, “People are trapped in history and history is trapped in them.” That’s pretty correct and I’m hopeful that change is gonna come.
This interview has been lightly edited.
