Andrew Gn revisits his roots

In May, Andrew Gn will be honoured with a retrospective at the Asian Civilisations Museum in Singapore, his homeland. Since arriving to Paris and launching his label in 1995, he has interpreted and upheld the artisanal traditions of both countries, imbuing his collections with superlative beauty and workmanship. Yet he is also modern-minded in his vision of a women’s wardrobe and constantly introduces diverse artistic inspirations – spanning time and cultures – that inspire both his fashion and his personal curiosity towards creation.

How would you describe your evolution as a designer/brand?

Each season I explore new territories, evolving continuously year after year. What thrills me most is when my followers tell me after a new collection is shown: “Andrew, this is your best collection ever!”

 

Why is it important that fashion is always evolving, that it never stays the same?

Simply because our world keeps evolving – faster and faster – and our desires just the same.

 

What moment, design or collection marked a turning point for you?

My turning points happened at the beginning of my career. Now I feel I’m moving forward consistently, step by step.

 

What would you like us to know about this collection?

I’ve named it “Roots,” to celebrate my upcoming career retrospective in May 2023 at the Asian Civilizations Museum in Singapore, my homeland.

 

How intentional are you about evolving creatively — how do you think about this when beginning a new collection?

No set intentions, but an initial inspiration. Then my creativity evolves naturally and subconsciously.

 

The fashion audience is ever-evolving. How important is it for you to connect with Generation Z (and how are you doing this)?

Very important, even if Gen Z is not wearing us yet. Through very active social media we connect daily with the younger communities.

 

Evolution and improvement are related. What is one essential improvement the industry could be making?

Always the same: Less waste and less labour inequity.

 

Are you using any technologies or techniques that contribute to the evolution of your collections?

No, my creative mind works à l’ancienne from my own memory database. No AI assisted designs. I fiercely believe in the hand-drawn work and the experienced savoir-faire of our ateliers and suppliers. There are no shortcuts to producing beauty.

 

 

This interview has been lightly edited for clarity.